Пластиковые окна в кризис

Theodosii Spassov Quartet and Studio Primo

THEODOSII SPASSOV - BULGARIA

Kaval - Bulgarian wooden flute

Theodosii Spassov was born on March 4th, 1961. He began his early training on the kaval at the Kotel Music School and The Academy of Music and Dance in Plovdiv/Bulgaria. The kaval, an eight-hole wooden "shepherd" flute, is one of the oldest Instruments in Europe, rich in tone and technical possibilities. Theodosii Spassov has developed his own unique style of playing the instrument by synthesizing traditional folklore with jazz, fusion and classical music.

For over 20 years, Theodosii has toured all over Europe, Asia, the Middle East, Australia, Canada and United States. In 1994, he performed with Sofia Women's Radio Choir which was awarded with a Grammy award for "Le Mystere Des Voix Bulgares". In April of 1995, "Newsweek" magazine recognized Theodosii Spassov as one of the most talented Eastern-European musicians in its "best of the East" article, noting that "Spassov... is not merely surviving the post-communist cultural wasteland. He has actually invented a new musical genre."

Theodosii Spassov has contributed to 20 CDs, four of his own, which have been noted worldwide. He has composed and performed numerous film scores including a French-Bulgarian feature film "Granitza", ("The Border") 1993. Also he recorded themes for films by Italian composers Carlos Siliotto and Ennio Morricone, entitled "An Italian Story" and "The Breakout of the Innocent". At the fourth European Jazz Night, Theodosii Spassov was a featured performer along with other jazz musicians, including Winton Marsalis.

At home in Bulgaria, Theodosii Spassov is national figure and musical hero, and was recently honored with the "Music Artist of the Year" award. He is the Artistic Director of the world-renown "PHILIP KOUTEV Ensemble Of Music, Drama And Dance".

Theodosii is currently member of the company of the Irish music and dance "Riverdance"-(1998-2001). Now hi is a soloist of Bulgarian National Radio.

Elitsa Todorova & Stoyan Yankoulov

More malka mome, yi...
More, more, pee, iy
More Mitra pee na rekata Mitre le, iy, Mitre le
More na rekata do gorata Mitre le, iy, Mitre le
More yozdol ide ludo mlado Mitre le, iy, Mitre le
More ludo mlado konche bodi Mitre le, iy, Mitre le
More, more, pee
More, more, iy
Mitre le
Eno ho... ho... ho...
A... a... a...
More ludo mlado konche yazdi Mitre le, iy, Mitre le
More konche yasti, moma lyubi Mitre le, iy, Mitre le
Tara-du-da day-du-dara dara-du-da, Mitre le
Tara-du-day du-dara dara-du-da (Hey)
Tara-du-day du-dara dara-du-da
Tara-du-day du-dara dara-du-da (Hey, hey)
Tara-du-day du-dara dara-du-da
Tara-du-day du-dara dara-du-da (Hey)
Tara-du-day du-dara dara-du-da (Hey, hey)
Tara-du-day du-dara dara-du-da (Hey)
Tara-du-day du-dara dara-du-da

Elitsa Todorova was born on 1977 in Varna.
She studied at the "Philip Koutev" school of music
in Kotel, specializing in authentic folklore
singing; and the "Dobri Hristov" school of
music in Varna, specializing in percussions.
She then graduated from the "P. Vladigerov"
State Academy of music in Sofia, majoring in
percussions. She attracts both,
the audiences 'and the critics' attention by her
specific voice - strong, deep-toned, clear and hardy,
the tone-quality being one of beautiful and
rich ornamentation.

Todorova worked at the State Dance
and Music Ensemble in Varna, " The Mystery
of the Bulgarian voices" Choir, " Cosmic Voices of
Bulgaria" Choir where she performed authentic Bulgarian
folk songs, and compositions in Yiddish and Sanskrit.

In 2003 Elitsa Todorova began working with Bulgaria's
most popular and renowned drummer and percussionist Stoyan
Yankoulov. The unique Elitsa Todorova-Stoyan Yankoulov Duo
turned into a phenomenon in no time. Their high
professionalism and perfectionism underlies all their
performances.

Elitsa Todorova develops a percussions-playing style
of her own, combining quick ostinate rhythms on the
tarambuka with synhronized tarambuka with synchronized
playing and singing. The result is a mosaic of unique
vocal movements and impeccable musical improvisations.
She plays traditional percussion instruments in a most
non-traditional way. The singer easily mixes traditional
folklore with jazz, drum and base, ethno-motifs, classics
and spontaneous improvisation.
The result is fascinating. A magnetic voice and percussion
tell us their folklore-jazz story. In her repertoire Elitsa
Todorova plays instruments like the tarambuka, drums, maracas,
clavess, old silver coins, shepperd'schimes, horses' bells,
a magical thunder-wand, guirro, chimes, but of all musical
instruments the best, in her opinion, is human voice. Through
combining authentic Bulgarian folk songs with the energy of
percussions Elitsa Todorova presents in a most touchng way
the core, the potency and the emotional power
of Bulgarian culture.

She has been working with: "The Cosmic Voices of Bulgaria"
Choir, "Varna Ensemble", "The Mystery of the Bulgarian voices"
and the musicians: Stoyan Yankoulov, Theodosii Spassov, Ivo
Pappazov, Antonii Donchev, Jivko Petrov, Vesselin Vesselinov,
Rossen Zahariev, Michail Yossifov, Vasko Vassilev, Arabel Fon
Karajan, Anatoly Vapirov, Roushi Vidinliev, Rui Junior,
Pamela Nicolson, Okhai Temiz, Yamar Tiyam, Nikos Тouliatos,
William Pluma, Habib Shamandy, Ivan Shopov DJ Cooh,
Hristo Yotzov the Bulgarian National Radio orchestra,
Classic FM Radio orchestra and many others.

She has taken part in concerts in Africa,Japan, Canada, Finland,
France, Portugal, Belgium, Sweden, Holland, Irland, Austria, Luxembourg,
Greece, Poland, Turkey, Malta, Andora, Hungary, Switzerland, Croatia,
Russia, Serbia and Montenegro, Ukraine, Belarus,
Italy, Spain, Macedonia, Romania....

Elitsa Todorova has presented Bulgarian cultural heritage
before the presidents of Bulgaria, Greece, Armenia, Hungary;
before H.M. Prince Albert, Koidjiro Matsura of UNESCO, PACE
ministers. She took part in 2005 most significant cultural
event-the launching of cultural corridors for South-East Europe

Goran Bregovic & Kayah

Jak bym wiedziala czym jest
To szczescie co rzadko zdarza sie
Gdyby ból obcy byl mi
Za ból mój mily dziekuje ci

Choc uciekalam
Zawsze wracalam
Z przyplywem morza lez
Trudno kochac
Lecz trudniej jest
Nie kochac wcale cie

Czy uslyszalabym szept
Jakim to milosc wyznaje sie
Gdybym nie znala slów zlych
Za te zle slowa dziekuje ci

W kolorowej sukieneczce krzata sie
Raz po raz odwraca glowe
Usmiech sle
Móglbys przysiac ze
Widziales wczoraj skrzydla jej
Jak je chowala pod
sukienka

Lecz ona
To nie ptak czy nie widzisz?
To nie jest ptak
Ona to nie ptak
To nie jest ptak czy nie widzisz?

Kocham ciebie mówi jej kazdy maly ruch
Lecz ty wsród kolorowych falban szukasz piór
Bo jestes pewien ze
Wczoraj widziales skrzydel cien
Dlatego klatke zbudowales

Tego dnia, gdy ciemnosc skradnie serce ci
Ona w oknie bedzie smiac sie lecz przez lzy
Rozpusci czarnosc wlosów i
Zmieniona w kruka skoczy by
Za chwile oknem tym powrócic tu

Lecz jako
Rajski ptak bo tak chciales
Jako rajski ptak
Rajski ptak
Jako rajski ptak bo tak chciales!

В стране не хватает законов, регулирующих деятельность компаний в Интернете. Да и откуда им взяться, если даже министр связи не знает определения спама. Стране нужны молодые и знающие специалисты, чтоб принять жесткие законы против интернет-мошенников.

Сейчас, увы, провайдеры творят, что хотят. 1GB и валуйхост (по крайней мере ранее, во времена нехороших) оказывают своим клиентам услуги по рассылке спама (это мое предположение, основанное на том, как рьяно горедиректора этих конторок защищают своих спамящих клиентов).

Петерхост вообще списывает деньги со счета клиента как попало с нарушением им же самим составленного договора. При этом директор конторки мильков максим показывает свою полную проф. непригодность (человек не понимает простого факта, что если трафик у клиента 1-2 максимум 3 Гига в сутки при многомесячной статистике, то данные биллинга в 9 Гб ошибочны). Обозвав предположение клиента сомнительным, мильков двое суток проверял трафик (вот оно наказание за прогул лекций по мат. статистике в институте, если конечно у милькова есть высшее образование) и в итоге признал свою ошибку, хотя и не извинился. Деньги, которые он при этом ошибочно (хотя может быть вполне умышленно) списал, возвращать мильков максим не собирается (это при том, что в его же договоре написано, что он должен выставить счет, а не просто тупо снять деньги из тех, которые ему заплатили вперед за несколько месяцев).

Вывод: во многих конторках гордо именующих себя провайдерами собрались мошенники и необходимо грамотное законодательство для того, чтоб хозяева всех этих 1GB, петерхостов и Ко из офисов переехали в тюрьмы, где им самое место. Ибо нефиг воровать!

Буквально 25 минут назад началась презентация нового календаря Сергея Кондрашина. Наверняка на неё приглашено много випла. Ну, а мы с вами можем посмотреть уменьшенное изображение на сайте проекта.

И кто не видел — видео со съёмок в Африке.